Sorcerer's Apprentice

  The Sorcerer’s Apprentice

  Tales and Conjurations

  Charles Johnson

  FOR MY FATHER

  Content

  THE EDUCATION OF MINGO

  EXCHANGE VALUE

  MENAGERIE, A CHILD’S FABLE

  CHINA

  ALĒTHIA

  MOVING PICTURES

  POPPER’S DISEASE

  THE SORCERER’S APPRENTICE

  It is with fiction as with religion; it should present

  another world, and yet one to which we feel the tie.

  —Herman Melville, The Confidence Man, Chapter XXIII

  THE EDUCATION OF MINGO

  Once, when Moses Green took his one-horse rig into town on auction day, he returned to his farm with a bondsman named Mingo. He came early in a homespun suit, stayed through the sale of fifteen slaves, and paid for Mingo in Mexican coin. A monkeylike old man, never married, with tangled hair, ginger-colored whiskers like broomstraw, and a narrow knot of a face, Moses, without children, without kinfolk, who seldom washed because he lived alone on sixty acres in southern Illinois, felt the need for a field hand and helpmate—a friend, to speak the truth plainly.

  Riding home over sumps and mudholes into backcountry imprecise yet startlingly vivid in spots as though he were hurtling headlong into a rigid New Testament parable, Moses chewed tobacco on that side of his mouth that still had good teeth and kept his eyes on the road and ears of the Appaloosa in front of his rig; he chattered mechanically to the boy, who wore tow-linen trousers a size too small, a straw hat, no shirt, and shoes repaired with wire. Moses judged him to be twenty. He was the youngest son of the reigning king of the Allmuseri, a tribe of wizards, according to the auctioneer, but they lied anyways, or so thought Moses, like abolitionists and Red Indians; in fact, for Moses Green’s money nearly everybody in the New World from Anabaptists to Whigs was an outrageous liar and twisted the truth (as Moses saw it) until nothing was clear anymore. He was a dark boy. A wild, marshy-looking boy. His breastbone was broad as a barrel; he had thick hands that fell away from his wrists like weights and, on his sharp cheeks, a crescent motif. “Mingo,” Moses said in a voice like gravel scrunching under a shoe, “you like rabbit? That’s what I fixed for tonight. Fresh rabbit, sweet taters, and cornbread. Got hominy made from Indian corn on the fire, too. Good eatings, eh?” Then he remembered that Mingo spoke no English, and he gave the boy a friendly thump on his thigh. “‘S all right. I’m going to school you myself. Teach you everything I know, son, which ain’t so joe-fired much—just common sense—but it’s better’n not knowing nothing, ain’t it?” Moses laughed till he shook; he liked to laugh and let his hair down whenever he could. Mingo, seeing his strangely unfiled teeth, laughed, too, but his sounded like barking. It made Moses jump a foot. He swung ’round his head and squinted. “Reckon I’d better teach you how to laugh, too. That half grunt, half whinny you just made’ll give a body heart failure, son.” He screwed up his lips. “You sure got a lot to learn.”

  Now Moses Green was not a man for doing things halfway. Education, as he dimly understood it, was as serious as a heart attack. You had to have a model, a good Christian gentleman like Moses himself, to wash a Moor white in a single generation. As he taught Mingo farming and table etiquette, ciphering with knotted string, and how to cook ashcakes, Moses constantly revised himself. He tried not to cuss, although any mention of Martin Van Buren or Free-Soilers made his stomach chew itself; or sop cornbread in his coffee; or pick his nose at public market. Moses, policing all his gestures, standing the boy behind his eyes, even took to drinking gin from a paper sack so Mingo couldn’t see it. He felt, late at night when he looked down at Mingo snoring loudly on his corn-shuck mattress, now like a father, now like an artist fingering something fine and noble from a rude chump of foreign clay. It was like aiming a shotgun at the whole world through the African, blasting away all that Moses, according to his lights, tagged evil, and cultivating the good; like standing, you might say, on the sixth day, feet planted wide, trousers hitched, and remaking the world so it looked more familiar. But sometimes it scared him. He had to make sense of things for Mingo’s sake. Suppose there was lightning dithering in dark clouds overhead? Did that mean rain? Or the Devil whaling his wife? Or—you couldn’t waffle on a thing like that. “Rain,” said Moses, solemn, scratching his neck. “For sure, it’s a storm. Electricity, Mingo.” He made it a point to despoil meanings with care, chosing the ones that made the most common sense.

  Slowly, Mingo got the hang of farm life, as Moses saw it—patience, grit, hard work, and prayerful silence, which wasn’t easy, Moses knew, because everything about him and the African was as different as night and day, even what idealistic philosophers of his time called structures of intentional consciousness (not that Moses Green called it that, being a man for whom nothing was more absolute than an ax handle, or the weight of a plow in his hands, but he knew sure enough they didn’t see things quite the same way). Mingo’s education, to put it plainly, involved the evaporation of one coherent, consistent, complete universe and the embracing of another one alien, contradictory, strange.

  Slowly, Mingo conquered knife and spoon, then language. He picked up the old man’s family name. Gradually, he learned—soaking them up like a sponge—Moses’s gestures and idiosyncratic body language. (Maybe too well, for Moses Green had a milk leg that needed lancing and hobbled, favoring his right knee; so did Mingo, though he was strong as an ox. His t’s had a reedy twang like the quiver of a ukulele string; so did Mingo’s.) That African, Moses saw inside a year, was exactly the product of his own way of seeing, as much one of his products and judgments as his choice of tobacco; was, in a sense that both pleased and bum-squabbled the crusty old man, himself: a homunculus, or a distorted shadow, or—as Moses put it to his lady friend Harriet Bridgewater—his own spitting image.

  “How you talk, Moses Green!” Harriet sat in a Sleepy Hollow chair on the Sunday afternoons Moses, in his one-button sack coat and Mackinaw hat, visited her after church services. She had two chins, wore a blue dress with a flounce of gauze and an apron of buff satin, above which her bosom slogged back and forth as she chattered and knitted. There were cracks in old Harriet Bridge-water’s once well-stocked mind (she had been a teacher, had traveled to places Moses knew he’d never see), into which she fell during conversations, and from which she crawled with memories and facts that, Moses suspected, Harriet had spun from thin air. She was the sort of woman who, if you told her of a beautiful sunset you’d just seen, would, like as not, laugh—a squashing sound in her nose—and say, “Why, Moses, that’s not beautiful at all!” And then she’d sing a sunset more beautiful—like the good Lord coming in a cloud—in some faraway place like Crete or Brazil, which you’d probably never see. That sort of woman: haughty, worldly, so clever at times he couldn’t stand it. Why Moses Green visited her…

  Even he didn’t rightly know why. She wasn’t exactly pretty, what with her gull’s nose, great heaps of red-gold hair, and frizzy down on her arms, but she had a certain silvery beauty intangible, elusive, inside. It was comforting after Reverend Raleigh Liverspoon’s orbicular sermons to sit a spell with Harriet in her religiously quiet, plank-roofed common room. He put one hand in his pocket and scratched. She knew things, that shrewd Harriet Bridgewater, like the meaning of Liverspoon’s gnomic sermon on property, which Moses couldn’t untangle to save his life until Harriet spelled out how being and having were sorta the same thing: “You kick a man’s mule, for example, and isn’t it just like ramming a boot heel in that man’s belly? Or suppose,” she said, wagging a knitting needle at him, “you don’t fix those chancy steps of yours and somebody breaks his head—his relatives have a right to sue you into the p
oor-house, Moses Green.” This was said in a speech he understood, but usually she spoke properly in a light, musical voice, such that her language, as Moses listened, was like song. Her dog, Ruben—a dog so small he couldn’t mount the bitches during rutting season and, crazed, jumped Harriet’s chickens instead—ran like a fleck of light around her chair. Then there was Harriet’s three-decked stove, its sheet-iron stovepipe turned at a right angle, and her large wooden cupboard—all this, in comparison to his own rude, whitewashed cabin, and Harriet’s endless chatter, now that her husband, Henry, was dead (when eating fish, he had breathed when he should have swallowed, then swallowed when he should have breathed), gave Moses, as he sat in his Go-to-meeting clothes nibbling egg bread (his palm under his chin to catch crumbs), a lazy feeling of warmth, well-being, and wonder. Was he sweet on Harriet Bridgewater? His mind weather-vaned—yes, no; yes, no—when he thought about it. She was awesome to him. But he didn’t exactly like her opinions about his education of young Mingo. Example: “There’s only so much he can learn, being a salt-water African and all, don’t-chooknow?”

  “So?”

  “You know he’ll never completely adjust.”

  “So?” he said.

  “You know everything here’s strange to him.”

  “So?” he said again.

  “And it’ll always be a little strange—like seeing the world through a fun house mirror?”

  Moses knocked dottle from his churchwarden pipe, banging the bowl on the hard wooden arm of his chair until Harriet, annoyed, gave him a tight look. “You oughta see him, though. I mean, he’s right smart—r’ally. It’s like I just shot out another arm and that’s Mingo. Can do anything I do, like today—he’s gonna he’p Isaiah Jenson fix some windows and watchermercallems”—he scratched his head—“fences, over at his place.” Chuckling, Moses struck a friction match on his boot heel. “Only thing Mingo won’t do is kill chicken hawks; he feeds ’em like they was his best friends, even calls ’em Sir.” Lightly, the old man laughed again. He put his left ankle on his right knee and cradled it. “But otherwise, Mingo says just what I says. Feels what I feels.”

  “Well!” Harriet said with violence. Her nose wrinkled—she rather hated his raw-smelling pipe tobacco—and testily laid down a general principle. “Slaves are tools with life in them, Moses, and tools are lifeless slaves.”

  The old man asked, “Says who?”

  “Says Aristotle.” She said this arrogantly, the way some people quote Scripture. “He owned thirteen slaves (they were then called banausos), sage Plato, fifteen, and neither felt the need to elevate their bondsmen. The institution is old, Moses, old, and you’re asking for a peck of trouble if you keep playing God and get too close to that wild African. If he turns turtle on you, what then?” Quotations followed from David Hume, who, Harriet said, once called a preposterous liar one New World friend who informed him of a bondsman who could play any piece on the piano after hearing it only once.

  “P’raps,” hemmed Moses, rocking his head. “I reckon you’re right.”

  “I know I’m right, Moses Green.” She smiled.

  “Harriet—”

  The old woman answered, “Yes?”

  “You gets me confused sometimes. Abaht my feelings. Half the time I can’t rightly hear what you say, ’cause I’m all taken in by the way you say it.” He struggled, shaking saliva from the stem of his pipe. “Harriet, your Henry, d’ya miss him much? I mean, abaht now you should be getting married again, don’t you think? You get along okay by yourself, but I been thinking I…Sometimes you make me feel—”

  “Yes?” She brightened. “Go on.”

  He didn’t explain how he felt.

  Moses, later on the narrow, root-covered road leading to Isaiah Jenson’s cabin, thought Harriet Bridgewater wrong about Mingo and, strange to say, felt closer to the black African than to Harriet. So close, in fact, that when he pulled his rig up to Isaiah’s house, he considered giving Mingo his farm when he died, God willing, as well as his knowledge, beliefs, and prejudices. Then again, maybe that was overdoing things. The boy was all Moses wanted him to be, his own emanation, but still, he thought, himself. Different enough from Moses so that he could step back and admire him.

  Swinging his feet off the buckboard, he called, “Isaiah!” and, hearing no reply, hobbled, bent forward at his hips, toward the front door—“H’lo?”—which was halfway open. Why could he see no one? “Jehoshaphat!” blurted Moses. From his lower stomach a loamy feeling crawled up to his throat. “Y’all heah? Hey!” The door opened with a burst at his fingertips. Snatching off his hat, ducking his head, he stepped inside. It was dark as a poor man’s pocket in there. Air within had the smell of boiled potatoes and cornbread. He saw the boy seated big as life at Isaiah’s table, struggling with a big lead-colored spoon and a bowl of hominy. “You two finished al-raid-y, eh?” Moses laughed, throwing his jaw forward, full of pride, as Mingo fought mightily, his head hung over his bowl, to get food to his mouth. “Whar’s that fool Isaiah?” The African pointed over his shoulder, and Moses’s eyes, squinting in the weak light, followed his wagging finger to a stream of sticky black fluid like the gelatinous trail of a snail flowing from where Isaiah Jenson, cold as stone, lay crumpled next to his stove, the image of Mingo imprisoned on the retina of his eyes. Frail moonlight funneled through cracks in the roof. The whole cabin was unreal. Simply unreal. The old man’s knees knocked together. His stomach jerked. Buried deep in Isaiah’s forehead was a meat cleaver that exactly split his face and disconnected his features.

  “Oh, my Lord!” croaked Moses. He did a little dance, half juba, half jig, on his good leg toward Isaiah, whooped, “Mingo, what’d you do?” Then, knowing full well what he’d done, he boxed the boy behind his ears, and shook all six feet of him until Moses’s teeth, not Mingo’s, rattled. The old man sat down at the table; his knees felt rubbery, and he groaned: “Lord, Lord, Lord!” He blew out breath, blenched, his lips skinned back over his tobacco-browned teeth, and looked square at the African. “Isaiah’s daid! You understand that?”

  Mingo understood that; he said so.

  “And you’re responsible!” He stood up, but sat down again, coughing, then pulled out his handkerchief and spit into it. “Daid! You know what daid means?” Again, he hawked and spit. “Responsible—you know what that means?”

  He did not; he said, “Nossuh, don’t know as I know that one, suh. Not Mingo, boss. Nossuh!”

  Moses sprang up suddenly like a steel spring going off and slapped the boy till his palm stung. Briefly, the old man went bananas, pounding the boy’s chest with his fists. He sat down again. Jumping up so quick made his head spin and legs wobble. Mingo protested his innocence, and it did not dawn on Moses why he seemed so indifferent until he thought back to what he’d told him about chicken hawks. Months ago, maybe five, he’d taught Mingo to kill chicken hawks and be courteous to strangers, but it got all turned around in the African’s mind (how was he to know New World customs?), so he was courteous to chicken hawks (Moses groaned, full of gloom) and killed strangers. “You idjet!” hooted Moses. His jaw clamped shut. He wept hoarsely for a few minutes like a steer with the strangles. “Isaiah Jenson and me was friends, and—” He checked himself; what’d he said was a lie. They weren’t friends at all. In fact, he thought Isaiah Jenson was a pigheaded fool and only tolerated the little yimp in a neighborly way. Into his eye a fly bounded. Moses shook his head wildly. He’d even sworn to Harriet, weeks earlier, that Jenson was so troublesome, always borrowing tools and keeping them, he hoped he’d go to Ballyhack on a red-hot rail. In his throat a knot tightened. One of his eyelids jittered up, still itchy from the fly; he forced it down with his finger, then gave a slow look at the African. “Great Peter,” he mumbled. “You couldn’ta known that.”

  “Go home now?” Mingo stretched out the stiffness in his spine. “Powerful tired, boss.”

  Not because he wanted to go home did Moses leave, but because he was afraid of Isaiah’s body and needed
time to think things through. Dry the air, dry the evening down the road that led them home. As if to himself, the old man grumped, “I gave you thought and tongue, and looka what you done with it—they gonna catch and kill you, boy, just as sure as I’m sitting heah.”

  “Mingo?” The African shook his long head, sly; he touched his chest with one finger. “Me? Nossuh.”

  “Why the hell you keep saying that?” Moses threw his jaw forward so violently muscles in his neck stood out. “You kilt a man, and they gonna burn you crisper than an ear of corn. Ay, God, Mingo,” moaned the old man, “you gotta act responsible, son!” At the thought of what they’d do to Mingo, Moses scrooched the stalk of his head into his stiff collar. He drilled his gaze at the smooth-faced African, careful not to look him in the eye, and barked, “What’re you thinking now?”

  “What Mingo know, Massa Green know. Bees like what Mingo sees or don’t see is only what Massa Green taught him to see or don’t see. Like Mingo lives through Massa Green, right?”

  Moses waited, suspicious, smelling a trap. “Yeah, all that’s true.”

  “Massa Green, he owns Mingo, right?”

  “Right,” snorted Moses. He rubbed the knob of his red, porous nose. “Paid good money—”

  “So when Mingo works, it bees Massa Green workin’, right? Bees Massa Green workin’, think-in’, doin’ through Mingo—ain’t that so?”

  Nobody’s fool, Moses Green could latch onto a notion with no trouble at all; he turned violently off the road leading to his cabin, and plowed on toward Harriet’s, pouring sweat, remembering two night visions he’d had, recurrent, where he and Mingo were wired together like say two ventriloquist’s dummies, one black, one white, and there was somebody—who he didn’t know, yanking their arm and leg strings simultaneously—how he couldn’t figure, but he and Mingo said the same thing together until his liver-spotted hands, the knuckles tight and shriveled like old carrot skin, flew up to his face and, shrieking, he started hauling hips across a cold black countryside. But so did Mingo, his hands on his face, pumping his knees right alongside Moses, shrieking, their voice inflections identical; and then the hazy dream doorwayed luxuriously into another where he was greaved on one half of a thrip—a coin halfway between a nickel and a dime—and on the reverse side was Mingo. Shaking, Moses pulled his rig into Harriet Bridgewater’s yard. His bowels, burning, felt like boiling tar. She was standing on her porch in a checkered Indian shawl, staring at them, her book still open, when Moses scrambled, tripping, skinning his knees, up her steps. He shouted, “Harriet, this boy done kilt Isaiah Jenson in cold blood.” She lost color and wilted back into her doorway. Her hair was swinging in her eyes. Hands flying, he stammered in a flurry of anxiety, “But it wasn’t altogether Mingo’s fault—he didn’t know what he was doin’.”